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Jenniffer Matthews
two poems
Trees in December
The trees are standing bare
Unassumingly aware
There's a perched owl staring into the mind
Of a young girl turning
There's a wheelbarrow
Sitting with its heart wide open
Pointing to the south
There's a wing up above
It's moving with Decembers prelude of love
And the sky is wide open
There's an old house up upon the hill
It's been empty ever since I can remember
The river runs along the side
And I think that's where I'd hide if I had to
That's where I'd hide
And the sky is wide open
Starkness climbing up a wall
Each vine symbolizing all the sides now
I wonder what is mine
And what belongs to the sign of the season
What belongs to the sign
And the sky is wide open
When I look back I want to remember
The defining days
And the trees in December
The trees in December
2005 Spring
Inner Whispers
Oh to see her… a fallen doe…
It was a burlesque opera on woes and despair
The tragic queen steps out…
Her frock flowing with the weight of the moon
And she bellows…
Ah my lover, he lingers in prostration deep inside a cloud
He tossed me aside for the quintessential raven love…
Her locks of hair entwined with the sea
He gazes upon her as once he did me…
And oh the tides wash upon me
Feeling my flesh ache
as the seeds of fleeting moments ferment beneath the sand…
she stands still, a harlequin, immersed within the wounds that bind
her
feeling the silence stare…the lights illuminate the winds of
immortal
And from the audience, the tide of emotion, begins to warble
The conductor moves one arm, ascending,
the strings come in… harrowed… holding her words in a lamenting
stream, the music begins to cry… their tears flow upon the stage
overflowing into the laps of the seekers, each holding their ears to
the inner whispers
2004 April
©Jenniffer
Matthews
ABOUT JENNIFFER MATTHEWS

An icon of the
Boston scene, rocker and songstress Jennifer Matthews can
rock like a folk punk PJ Harvey and downshift with the oblique
nimble sensuality of Suzanne Vega.
Her songs are missions from the frontlines of life and have been
described as melodic, infectious and haunting.
Matthews studied vocal performance at the
University of Colorado in Boulder
and at Denver's School of Music. While in Colorado, she
established herself as a solo artist, performing in local bars
and coffeehouses. During this period she developed her unique
vocal style and her songs gained recognition, leading to several
awards from the Rocky Mountain Music
Association.
After a three-month tour through Japan,
Korea and Hawaii, Matthews relocated to
New York where she formed the
five-piece band Beautiful Mud. After a highly acclaimed debut
release and performing for several years in
New York City clubs, the band
separated.
Jennifer moved to Boston in 1998 to
embark on a solo career. She has cultivated a sophisticated
blend of rock with hints of funk & blues on her electric
Baritone guitar. While maintaining her strong background in
rootsy rock, she slings her blue Martin, combining both
instruments equally into her distinctive style.
In 2000 she released "Blue in Blue out"
produced by Marc Copely. In
2002, her manager released a compilation entitled, "best of, 98
to 01".
In 2003, Jennifer was nominated for a poetry award by the
Cambridge Arts Council for her book
of poetry released under Somerville's
Ibbetson Street Press; "Fairy Tales
and Misdemeanors".
"The Wheel" was recorded and mixed
at Windham Studios in
Vermont and released in May of 2005
on Thundamoon Records (Independent).
It is a 13 song record that covers a lot of territory.
Produced by Brian Brown and
Jennifer they took the songs to new levels by adding some
electronica and loops to her roots rock sound. Jennifer followed
up with a west coast tour including performing at the
San Diego Indie Music Festival.
In Aug. of 2005, Metronome Music Magazine
featured Jennifer as their cover story with a full interview.
Shaun McNamara writes "...Matthews
and artists like Ann Wilson, Pat Benatar,
Doro Pesch and Liz Phair are dissimilar in music style
and sound but they all embody an ability to be recognized as
straight out rockers. Not female rockers, not rock chicks, and
certainly not advocates for a spotlight of women in music. They
have no need for a one trick pony. They stood or stand in
parallel with the likes of Kurt Cobain,
Robert Plant, Neil Young and Chris Cornell, respected for
their pure musicianship and charismatic presence..."
In September of 2005 "The Wheel" along
with "The Long Journey Home" signed a publishing deal
with ACM Records of NY. Oct.& Nov
Jennifer toured England promoting
"The Wheel" and her soon to be
released record "The Sunroom Sessions".
Richard Hill of BBC radio
writes..."Her melodies are as appealing and azure as her guitar"
And Tim Condliffe of
nationalgigguide.com writes...
"Jennifer's innovative and creative style kept the audience
baited on every word and pregnant pause.
Metronome Music Magazine chose
Jennifer's cd "The Wheel" in their
Top 15 picks of the year for 2005 right along with guitar god
Eric Johnson and Elvin Bishop...
they wrote... "Jennifer Matthews is
sassy, sexy, edgy and above all, talented!
Jennifer Matthews rocked the scene with her album
The Wheel !"
In early 2006, her much anticipated solo recording,The Sunroom
Sessions will be released and available for sale on the Thundamoon
Records Label. You can pre-order
"The Sunroom Sessions" by emailing
thundamoonrecords@yahoo.com
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