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Jenniffer Matthews   two poems

Trees in December
 

The trees are standing bare
Unassumingly aware
There's a perched owl staring into the mind
Of a young girl turning

There's a wheelbarrow
Sitting with its heart wide open
Pointing to the south
There's a wing up above
It's moving with Decembers prelude of love

And the sky is wide open

There's an old house up upon the hill
It's been empty ever since I can remember
The river runs along the side
And I think that's where I'd hide if I had to
That's where I'd hide

And the sky is wide open

Starkness climbing up a wall
Each vine symbolizing all the sides now
I wonder what is mine
And what belongs to the sign of the season
What belongs to the sign

And the sky is wide open

When I look back I want to remember
The defining days
And the trees in December
The trees in December

2005 Spring

Inner Whispers

Oh to see her… a fallen doe…
It was a burlesque opera on woes and despair
The tragic queen steps out…
Her frock flowing with the weight of the moon
And she bellows…
Ah my lover, he lingers in prostration deep inside a cloud
He tossed me aside for the quintessential raven love…
Her locks of hair entwined with the sea
He gazes upon her as once he did me…
And oh the tides wash upon me
Feeling my flesh ache
as the seeds of fleeting moments ferment beneath the sand…

she stands still, a harlequin, immersed within the wounds that bind her 
feeling the silence stare…the lights illuminate the winds of immortal
And from the audience, the tide of emotion, begins to warble

The conductor moves one arm, ascending,
the strings come in… harrowed… holding her words in a lamenting stream, the music begins to cry… their tears flow upon the stage overflowing into the laps of the seekers, each holding their ears to the inner whispers
 

2004 April
©Jenniffer Matthews
 


ABOUT JENNIFFER MATTHEWS
 

An icon of the Boston scene, rocker and songstress Jennifer Matthews can rock like a folk punk PJ Harvey and downshift with the oblique nimble sensuality of Suzanne Vega. Her songs are missions from the frontlines of life and have been described as melodic, infectious and haunting.

Matthews studied vocal performance at the University of Colorado in Boulder and at Denver's School of Music. While in Colorado, she established herself as a solo artist, performing in local bars and coffeehouses. During this period she developed her unique vocal style and her songs gained recognition, leading to several awards from the Rocky Mountain Music Association.

After a three-month tour through Japan, Korea and Hawaii, Matthews relocated to New York where she formed the five-piece band Beautiful Mud. After a highly acclaimed debut release and performing for several years in New York City clubs, the band separated.

Jennifer moved to Boston in 1998 to embark on a solo career. She has cultivated a sophisticated blend of rock with hints of funk & blues on her electric Baritone guitar. While maintaining her strong background in rootsy rock, she slings her blue Martin, combining both instruments equally into her distinctive style.

In 2000 she released "Blue in Blue out" produced by Marc Copely. In 2002, her manager released a compilation entitled, "best of, 98 to 01".

In 2003, Jennifer was nominated for a poetry award by the Cambridge Arts Council for her book of poetry released under Somerville's Ibbetson Street Press; "Fairy Tales and Misdemeanors".

"The Wheel" was recorded and mixed at Windham Studios in Vermont and released in May of 2005 on Thundamoon Records (Independent). It is a 13 song record that covers a lot of territory. Produced by Brian Brown and Jennifer they took the songs to new levels by adding some electronica and loops to her roots rock sound. Jennifer followed up with a west coast tour including performing at the San Diego Indie Music Festival.

In Aug. of 2005, Metronome Music Magazine featured Jennifer as their cover story with a full interview. Shaun McNamara writes "...Matthews and artists like Ann Wilson, Pat Benatar, Doro Pesch and Liz Phair are dissimilar in music style and sound but they all embody an ability to be recognized as straight out rockers. Not female rockers, not rock chicks, and certainly not advocates for a spotlight of women in music. They have no need for a one trick pony. They stood or stand in parallel with the likes of Kurt Cobain, Robert Plant, Neil Young and Chris Cornell, respected for their pure musicianship and charismatic presence..."

In September of 2005 "The Wheel" along with "The Long Journey Home" signed a publishing deal with ACM Records of NY. Oct.& Nov Jennifer toured England promoting "The Wheel" and her soon to be released record "The Sunroom Sessions". Richard Hill of BBC radio writes..."Her melodies are as appealing and azure as her guitar" And Tim Condliffe of nationalgigguide.com writes... "Jennifer's innovative and creative style kept the audience baited on every word and pregnant pause.
Metronome Music Magazine chose Jennifer's cd "The Wheel" in their Top 15 picks of the year for 2005 right along with guitar god Eric Johnson and Elvin Bishop... they wrote... "Jennifer Matthews is sassy, sexy, edgy and above all, talented! Jennifer Matthews rocked the scene with her album The Wheel !"
In early 2006, her much anticipated solo recording,The Sunroom Sessions will be released and available for sale on the Thundamoon Records Label. You can pre-order "The Sunroom Sessions" by emailing thundamoonrecords@yahoo.com

                                                                                                                                       

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